The heart of the palace is its Main Hall, renowned for its superb acoustics. The hall’s ceiling conceals one of Tallinn’s most fascinating riddles—a scene from Ovid’s Metamorphoses. At first glance, it appears to be an innocent depiction of the goddess Diana bathing in a stream with her nymphs when the hunter Actaeon stumbles upon them. However, could it actually represent Peter the Great’s clever, symbolic revenge against Sweden?

Kadriorg Palace carries more than just an imperial legacy. Before the completion of the current Presidential Palace nearby, this very building was where Estonia’s first president, Konstantin Päts, lived and worked. This era has left its own unique, indelible mark on the palace interiors.

Today, Kadriorg Palace operates as an art museum, whose permanent collection showcases Dutch, German, Italian, and Russian art from the 16th to the 18th centuries. Visitors can admire exquisite paintings, prints, sculptures, and applied arts.

Current Exhibitions:

• Symphony of Nature and Art: The Serlachius Art Collection (on display until August 23, 2026)
• From Conservator to Restorer (on display until November 22, 2026)

A visit to the Kadriorg Art Museum can be perfectly combined with a visit to the Kumu Art Museum.

Built in 1912 as a luxury apartment building, it was transformed in 1917 into quarters for the officers of the Patarei Sea Fortress. When Estonia declared its independence on February 24, 1918, the house became the very heart of the new state—this was where the Provisional Government convened, and it was from this very location that the War of Independence was directed. During the first era of the Republic of Estonia, the dignified building housed the Ministry of War.

The early 1940s brought a total and brutal transformation. The former symbol of state power became the notorious KGB pretrial detention prison. This place spared no one, regardless of status or profession. Politicians, intellectuals, and veterans of the War of Independence were thrown here alongside ordinary teachers, peasants, and school students.

All of them shared a common fate: they were convicted under the infamous Article 58 of the Soviet Penal Code. This article broadly defined “treason against the homeland,” and a conviction was swiftly followed by torture, execution sentences, or deportation to the vast expanses of Siberia. The statistics are harrowing—only 2% of those who ended up in these basements ever regained their freedom.

Today, the reopened prison cells in the basement stand as a living monument to communist terror. Visitors can explore two corridors, six cells, and an isolation cell. The walls of the second corridor feature rotating temporary exhibitions dedicated to the people and stories of those who survived the Red Terror.

A guided tour of the KGB Prison Cells is not your ordinary museum visit. It is a journey through time, where you will hear the haunting stories these thick walls would whisper in your ear if only they could speak. It is a tribute to those who suffered here, and a stark reminder of the immense price of freedom.

A tour of the KGB cells can be perfectly combined with a visit to Vabamu Museum of Occupations and Freedom.

Kumu’s permanent exhibitions are curated to cover sweeping and significant historical eras. In addition to these permanent displays, the museum’s various galleries host 8 to 10 rotating temporary exhibitions throughout the year, bringing world-class art and fresh global perspectives to visitors.

The permanent exhibition on the third floor, “Landscapes of Identity” (1700–1945), focuses on an era when Estonia was a borderland between East and West. The journey begins with the installation “The Sail”, which displays Baltic German manorial portraits, intertwining their stories with our own to highlight the mutual influences of the two cultures. Moving further into the gallery, visitors encounter the renowned Estonian master Johann Köler, who paved the way for Estonians to receive formal art education in St. Petersburg. The exhibition then guides you through the era of National Awakening and the years of independence, up until the tragic moment when freedom was replaced by the dread of foreign occupation.

The fourth floor houses two permanent exhibitions. The first is “Conflicts and Adaptations”, which explores Soviet Estonian art from 1940 to 1991. The Soviet occupation brought drastic changes to the Estonian art scene, enforcing an official state doctrine known as Socialist Realism. This was not merely an artistic style, but a mandatory method designed to depict a “bright future” and the supremacy of the Soviet regime. But what truly happened behind this polished facade, and how did artists adapt? The paradise promised by Soviet propaganda was a far cry from reality. Public depictions of mass deportations or the atrocities of the occupation were strictly forbidden. Consequently, these painful themes remained hidden for decades, appearing only in a handful of covert works or through subtle symbols understood by a select few. The exhibition explores which artistic movements were permitted and which were deemed “unrecommended.” To recreate an authentic atmosphere, the exhibition features a historical corridor composed of black-and-white photographs and archival video footage, helping visitors vividly recall or learn about the Soviet era firsthand.

The second permanent exhibition on the fourth floor, “The Future is in One Hour,” transports visitors back to the turbulent 1990s. The restoration of Estonia’s independence triggered an explosive wave of freedom and experimentation in the art world. This was a groundbreaking era where former ideological barriers vanished overnight, allowing artists to experiment without limits for the first time with new media such as video, photography, and sound art.

A visit to Kumu can be perfectly paired with a tour of the nearby Kadriorg Art Museum.

The undisputed star of the Seaplane Harbour exhibition is the submarine Lembitu, built in England in 1937 by order of the Republic of Estonia. Lembitu holds a world record as the submarine that remained in the water the longest, for a remarkable 75 years. Today, this exceptional vessel has been lifted inside the hangar, offering everyone the unique opportunity to step inside a historic submarine. The Seaplane Harbour is also home to the world’s only full-scale replica of a Short Type 184 seaplane.

Outside at the quayside, another rare gem awaits visitors—the steam-powered icebreaker Suur Tõll. This mighty vessel is just two years younger than the famous Titanic and has been preserved with astonishing authenticity. A walk through Suur Tõll’s engine room or the captain’s cabin makes you feel as though you have stepped right back in time.

The Seaplane Harbour offers plenty of discovery for everyone, whether exploring inside the hangar or strolling along the quay. If that isn’t enough, it is highly worth visiting its sister branch, Fat Margaret.

The current temporary exhibition, “The Call of the Sea: The Art Collection of the Estonian Maritime Museum,” is open until November 1, 2026.

The crown jewel of the Niguliste Museum is undoubtedly Bernt Notke’s “Dance of Death”, widely considered Estonia’s most valuable medieval masterpiece. Displayed on the wall of St. Anthony’s Chapel, this painting is more than just art—it is a profound philosophical reflection on human mortality. Sitting on the bench in front of the piece, visitors have the chance to look inward and ponder: if Death were to call you to your final dance at this very moment, would all your important words have been spoken and your deeds done?

The museum’s double-winged main altar was crafted in the 15th century in the workshop of the famous Lübeck master Hermen Rode. It stands as one of the largest and best-preserved Late Gothic altarpieces in all of Europe. When closed, the outer wings depict scenes from the lives of Saint Nicholas—the prototype for Santa Claus—and Saint Victor, the patron saint of Tallinn.

Although the church took a direct and devastating hit during the March 1944 bombings, it rose from the ruins like a phoenix from the ashes in 1984. Since then, the building has operated as a museum-concert hall, showcasing Estonia’s most outstanding collection of medieval and early modern sacred art.

Following an extensive renovation of its tower, Niguliste now offers unforgettable experiences high above the ground. For a comfortable ascent, visitors can make use of a modern glass elevator, though those preferring a more active approach are highly encouraged to take the historic staircase. On the second level, you will find a unique space that houses church bells that have lost their original perches—and for an extra touch of excitement, visitors can actually ring the bells themselves. The top of the tower reveals one of the most mesmerizing, panoramic views of Tallinn’s Old Town and the sea, providing the perfect finale to your museum visit.

Until September 27, 2026, the museum is hosting the temporary exhibition “From Restorer to Conservator.” The second part of this exhibition can be admired at the Kadriorg Art Museum. A visit to the Niguliste Museum can be beautifully paired with a “Legends of the Old Town” tour.

A true turning point came in 2015, when the rare remains of a 14th-century cog were discovered buried in the sand at a construction site in the Kadriorg district. Today, this medieval Hanseatic ship is the undisputed centrepiece of the museum’s permanent exhibition, offering visitors a rare opportunity to see centuries-old maritime heritage with their own eyes.

In addition to the unique cog find, you can admire fascinating models of sailing, steam, and motor ships, and dive deep into their history—and that of Estonian seafaring—through interactive displays. During the summer season, a rooftop café awaits visitors on the tower’s fifth floor, where you can enjoy delicious refreshments alongside a million-dollar panoramic view of the Tallinn harbor and the Old Town.

The Fat Margaret tour can be combined with a “Legends of Tallinn” tour or a guided visit to the Seaplane Harbour.

A tour of the Town Hall offers a captivating look into the formation of Tallinn: on the cellar floor, you will see the walls of the very first town hall, upon whose foundations the current building—completed in 1404—was constructed. From there, we will walk through the majestic Citizens’ Hall, where the walls are adorned with replicas of magnificent 16th-century tapestries. Next, we step into the Council Hall, where court sessions and council meetings were once held, but where today visitors marvel at the wall paintings and intricate carvings on the council benches. In the accounts chamber, which was used as the mayor’s office up until the 1970s, you can see an authentic money chest, ancient account books, and precious gifts received over the centuries. The Town Hall is a place visited by high-ranking dignitaries and history enthusiasts from all over the world alike. You can admire the traces and signatures of these visits in the museum’s guest book.

Everyone should visit this medieval gem at least once in their lifetime. However, to ensure that no detail or gripping legend is lost, we highly recommend exploring Tallinn Town Hall with an experienced guide.

The Town Hall tour can be combined with a visit to the Town Hall Pharmacy.

The Tallinn TV Tower is the tallest structure in Estonia, offering unforgettable views and a fascinating journey through time. It was completed for the 1980 Moscow Olympic Games, when Tallinn hosted the legendary Olympic yachting regatta. Today, the interactive permanent exhibition on the second floor provides an in-depth and captivating look at the tower’s complex construction process and its significance in Estonian history. Meanwhile, the exhibition hall on the 21st floor opens up a breathtaking 360-degree panoramic view of the capital and the coastline.

The TV Tower offers thrills that won’t leave any adventurer cold:

• Edge Walk: If you have the nerve and courage, you can quite literally walk on the edge of the clouds at a height of 175 meters.
• Glass Floors: If that is a bit too much for you, a floor below awaits a unique opportunity to stand directly on glass floors, looking down into 170 meters of pure emptiness beneath your feet.

On the ground floor, you can also explore the captivating exhibition areas, including “Collected Moments” in the main hall and “The Century of TV Legends” in the entrance gallery.

The twists and turns of history in 1918 gifted Estonia the opportunity to declare its independence and gradually begin building its own state. However, the Molotov-Ribbentrop Pact, signed on August 23, 1939, robbed us of this hard-won freedom for nearly 50 years.

When looking back at the 1940s, what were the actual choices available to the people living here? It was a time when there were simply no “right” choices:

• The heart yearned to stay, but the fear and threat of deportation or execution forced many to leave their homeland behind and flee into the unknown.
• A preference for death here rather than in Siberia, leading to the Forest Brothers movement and armed resistance against the Soviet regime.
• Ending up on the deportation lists and being sent away to the “cold land” (Siberia).
• Adapting to the new rules simply to survive.

Who made the right choice? Did a right choice even exist under those circumstances? These are questions to which answers are incredibly hard to find.

The Vabamu tour can be combined with either the KGB tour or the “Price of Freedom” tour. Upon request, we can also visit the Memorial to the Victims of Communism located in Maarjamäe.

• How were threshing-barn dwellings (rehielamu) illuminated during long, dark winter nights when no one could even dream of a light switch?
• Why didn’t the old houses have chimneys, and how on earth did people survive without suffocating from the smoke?
• If a farm didn’t have a sauna, where and how did people take care of their personal hygiene?
• Before outdoor latrines even existed, where did people run when nature called?

The lives of our ancestors were guided by unwritten rules and agreements that seem unbelievable in today’s context.

• Why was a simple broom placed across the door enough to keep strangers away when leaving home, yet granary doors were strictly locked?
• Was that small opening in the roof meant only for ventilation, or was it actually used for something completely different?
• Why did the ancient Estonians create a kratt (a magical treasure-haunting creature), and how exactly did they breathe life into it?
• What was the tradition of ehal käimine (night-courting), and what strict rules had to be followed during these nocturnal visits?
• Who or what did our ancestors truly believe in?
• Who were the werewolves (libahundid) in reality?

How, why, and what for? All of these answers are hidden within our folklore and stories. If you want to discover how our ancestors lived in perfect harmony with nature and what wisdom we could still learn from them today, I look forward to welcoming you on this guided tour of the Open Air Museum!